Kauffer, Edward McKnight (1890-1954) - London Museum 1922

This is a poster for the London Museum by Edward Mcknight Kauffer.

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Edward McKnight Kauffer (1890-1954) was an American artist and graphic designer who lived for much of his life in the UK. He worked mainly in poster art, but was also active as a painter, book illustrator and theatre designer.

Edward Leland Kauffer was born on 14 December 1890, in Great Falls, Montana. By 1910 he had moved to San Francisco working as a bookseller and studying art at the California School of Design from 1910 to 1912. At around this time Professor Joseph McKnight of the University of Utah became aware of Kauffer's work, sponsored him and paid to send him to Paris for further study. In gratitude Kauffer took his sponsor's name as a middle name.

On his way to Paris, Kauffer stopped in Chicago for six months in 1912/1913 and studied at the Art Institute of Chicago. While there he witnessed the Armory Show, one of the first major exhibitions to introduce the styles of modernism to American viewers. This likely had a major impact on Kauffer, who would work in many of the same styles throughout his career. He arrived in Paris in 1913 and studied at the Académie Moderne until 1914.

At the outbreak of the First World War in 1914, he moved from Paris to London with his new wife, American pianist Grace (née Ehrlich). Their daughter Ann would join the Women’s Auxiliary Air Force in the Second World War and work in photo intelligence alongside Constance Babington Smith, Eve Holiday, and Sarah Oliver, (Winston Churchill's daughter).

On a visit to Paris in 1923, he met the American textile designer Marion Dorn (1896-1964). He left his wife and daughter and subsequently lived with her in London from late 1923.

Kauffer may be best known for the 140 posters that he produced for London Underground, and later London Transport. The posters span many styles: many show abstract influences, including futurism, cubism, and vorticism; others evoke impressionist influences such as Japanese woodcuts.

He created posters for Shell Oil, the Great Western Railway and other commercial clients, and also illustrated books and book covers. Later he also became interested in textiles, interior design and theatrical design. He designed the cover of the Radio Times' 1926 and 1927 Christmas Numbers. In 1930 he created a series of airbrush illustrations for The World in 2030 by Lord Birkenhead.

In July 1940, at the beginning of the Second World War, he and Marion Dorn returned to New York City, where they married in 1950 but separated in 1953. In New York his commissions began with MOMA and he went on to produce war propaganda posters. In 1947, he was approached to do a series of posters for American Airlines, which became his primary client until his death. In 1952, he designed what is perhaps his most famous work, the dust jacket art of Ralph Ellison's novel Invisible Man. He died two years later, in 1954.