50 Titillating Images by Thomas Rowlandson

Thomas Rowlandson’s titillating illustrations captivate viewers with their vibrant scenes of 18th-century life, blending humour and sensuality. His keen observations of societal quirks and playful depictions of love and desire reveal the nuances of human interaction, making his work both entertaining and thought-provoking. 

Beware! This collection contains sexually explicit illustrations, and a couple of the pictures have obscene titles.

This download features 50 hi-res images, in jpeg format, by the English satirical artist and caricaturist, Thomas Rowlandson.

The images are all 600dpi and range in size from 2980 pixels wide/tall to 6000 pixels wide/tall.

Click on the link above to see a full list of the images included.

The pictures are out of copyright and in the public domain, so you are free to use them in whatever way you'd like, including commercial use.

Thomas Rowlandson (1757-1827) was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as a large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the Duchess of Devonshire, William Pitt the Younger and Napoleon Bonaparte.

Rowlandson was born in Old Jewry, in the City of London. He was baptised on 23 July 1757 at St Mary Colechurch, London to William and Mary Rowlandson. His father, William, had been a weaver, but had moved into trading supplies for the textile industry. After overextending himself, he was declared bankrupt in 1759. Life became difficult for William in London and, in late 1759, he moved his family to Richmond, North Yorkshire. Thomas's uncle James died in 1764, and his widow Jane probably provided both the funds and accommodation that allowed Thomas to attend school in London.

Rowlandson was educated at the school of Dr Cuthbert Barwis at 8 Soho Square, then "an academy of some celebrity," where one of his classmates was Richard Burke, son of the politician Edmund Burke. As a schoolboy, Rowlandson "drew humorous characters of his master and many of his scholars before he was ten years old," covering the margins of his schoolbooks with his artwork.

In 1765 or 1766 he started at the Soho Academy. There is no documentary evidence that Rowlandson took drawing classes at the mainly business-oriented school, but it seems likely, as upon leaving school in 1772, he became a student at the Royal Academy. According to his obituary of 22 April 1827 in The Gentleman's Magazine, Rowlandson was sent to Paris at the age of 16 (1772), and spent two years studying in a "drawing academy" there. In Paris he studied drawing "the human figure" and continued developing his youthful skill in caricature. It was on his return to London that he took classes at the Royal Academy, then based at Somerset House.

Rowlandson spent six years studying at the Royal Academy, but about a third of this time was spent in Paris where he may have studied under Jean-Baptiste Pigalle. He was spoken of as a promising student. He later made frequent tours to the Continent, enriching his portfolios with numerous sketches of life and character.  On the death of his aunt, he inherited £7,000 after which he was known to sit at the gaming-table for 36 hours at a stretch.

In time poverty overtook him and his friends suggested caricature as a means of earning a living. His drawing of Vauxhall, shown in the Royal Academy exhibition of 1784, had been engraved by Pollard, and the print was a success. Rowlandson was largely employed by Rudolph Ackermann, the art publisher who in 1809, issued in his Poetical Magazine The Schoolmaster's Tour, a series of plates with illustrative verses by Dr. William Combe. They were the most popular of the artist's works. Again engraved by Rowlandson himself in 1812, and issued under the title of the Tour of Dr Syntax in Search of the Picturesque, they had attained a fifth edition by 1813, and were followed in 1820 by Dr Syntax in Search of Consolation, and in 1821 by the Third Tour of Dr Syntax in Search of a Wife. He also produced a body of erotic prints and woodcuts.

The same collaboration of designer, author and publisher appeared in the English Dance of Death, issued in 1814-16 and in the Dance of Life, 1817. Rowlandson also illustrated Smollett, Goldsmith and Sterne, and his designs will be found in The Spirit of the Public Journals (1825), The English Spy (1825), and The Humorist (1831).

His work included a personification of the United Kingdom named John Bull who was developed from about 1790 in conjunction with other British satirical artists such as Gillray and George Cruikshank. He also produced many works depicting the characters involved in election campaigns and race meetings. However, his satirical works of London's street life such as the "pleasure gardens at Vauxhall, jostling with soldiers, students, tarts and society beauties", which exhibit acute social observation and commentary are amongst his finest.

Rowlandson's caricatures include those on the medical profession which developed through his friendship with John Wolcot around 1778. He also earned money illustrating books of physicians and quacks. Later in life, he also produced caricatures on medical themes.

Rowlandson died on 21 April 1827 aged 69 years, at his lodgings at 1 James Street, Adelphi, London, after a prolonged illness. He was buried at St Paul's, Covent Garden on 28 April 1827. Some authors have suggested that his housekeeper Betsy Winter who inherited his belongings was his mistress but this has been rejected by others.