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Sandys, Frederick (1829-1904) - Oriana 1861

Sandys, Frederick (1829-1904) - Oriana 1861

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Oriana is a character from a poem by Alfred Lord Tennyson, The Ballad of Oriana, published in 1830, and here depicted by Frederick Sandys.

This download consists of 1 image, in jpeg format, that is 600dpi and 4697 pixels wide by 6688 pixels tall.

This picture (same size) is also included in our Frederick Sandys 41-image Collection.

The picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.

Anthony Frederick Augustus Sandys (1829-1904), born Antonio Frederic Augustus Sands, usually known as Frederick Sandys, was a British painter, illustrator and draughtsman, associated with the Pre-Raphaelites. He was also associated with the Norwich School of painters.

Frederick Sandys was born in Norwich and received his earliest lessons in art from his father, Anthony Sands, who was himself a painter. His early studies show that he had a natural gift for careful and beautiful drawing. He was educated at Norwich School and later attended the Norwich School of Design in 1846. In the same and next year his talent was recognised by the Royal Society of Arts.

Sandys married Georgiana Creed, but this marriage only lasted three years, although they never divorced. He had a long affair with the Romany woman Keomi Gray, who sat as a model both for him and Dante Gabriel Rossetti (The Beloved), and perhaps also for Simeon Solomon. He and Gray had two daughters and two sons.

In 1862 Sandys met actress Mary Emma Jones, known as Miss Clive, when she modelled for The Magdalen, now owned by the Norwich Castle Museum. A relationship developed between the two; he became devoted to her, taking her as his common-law wife for the rest of his life. She gave birth to a large number of children, 10 of whom were raised under the name of Neville and survived after Sandys's death. She appears in paintings such as Sandys's Love's Shadow and his 1867 work Proud Maisie, which was inspired by Mary, so much so that he made at least 11 versions by 1904.

Sandys influenced his younger sister, Emma Sandys (1841-1877), whose works were mainly portraits of children and young women, often in period or medieval clothing.

Sandys became close friends with Dante Gabriel Rossetti, and from May 1866 to July 1867, Sandys lived with Rossetti at 16, Cheyne Walk, Chelsea. Sandys's works were profoundly influenced by those of Rossetti. He focused mainly on mythological subjects and portraits.

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