Andrea del Sarto

Andrea del Sarto (1486-1531) remains a pivotal figure in the Italian Renaissance, renowned for his technical mastery and serene compositions. Born Andrea d’Agnolo di Francesco di Luca di Paolo del Migliore, he was later nicknamed “del Sarto,” meaning “of the tailor,” after his father’s profession. Del Sarto’s career was primarily centred in Florence, where he developed a style characterised by refined drawing, harmonious colour palettes, and a gentle, balanced approach to composition.

Del Sarto trained under Piero di Cosimo and was influenced by the work of Leonardo da Vinci, Fra Bartolommeo, and Raphael. He soon surpassed many of his contemporaries in the Florentine art scene, earning commissions for frescoes and altarpieces. One of his most significant contributions is the fresco cycle in the Chiostro dello Scalzo in Florence, depicting scenes from the life of St John the Baptist. These monochrome works, executed in grisaille, display his remarkable ability to convey form and emotion with subtlety and restraint.

Another of del Sarto’s masterpieces is the series of frescoes in the convent of San Salvi, particularly the celebrated “Last Supper” (1520-1525). This work, admired for its calm dignity and painterly cohesion, attracted the attention of later artists such as Pontormo and Vasari. Giorgio Vasari, himself a painter and historian, was a pupil of del Sarto and praised his teacher’s technical proficiency in his seminal work, “Lives of the Artists.”

Although del Sarto was sometimes overshadowed by contemporaries like Michelangelo and Raphael, his influence was considerable. He was a key figure in the development of Mannerism, bridging the High Renaissance and the more expressive, stylised art that followed. Del Sarto’s subtle modulation of light and shade, as well as his sensitive rendering of human anatomy, contributed to a sense of realism and grace in his paintings. His works often reflect a contemplative mood, with figures arranged in harmonious groupings and imbued with a gentle melancholy.

Despite his artistic achievements, del Sarto’s career was marked by personal difficulties, including financial troubles and a tumultuous marriage. He died in Florence in 1531, likely a victim of the plague. Today, Andrea del Sarto is appreciated as a master of composition and technique, whose art encapsulates the elegance and introspective beauty of the Florentine Renaissance.