Max Liebermann
Max Liebermann (1847-1935) was a pivotal figure in German art, renowned for his role as a leading Impressionist and as a champion of artistic innovation during a period of profound change in European painting. Born in Berlin into a prosperous Jewish family, Liebermann’s privileged background afforded him the freedom to pursue his creative ambitions from a young age, allowing him to study at the Weimar Art School and later travel extensively throughout Europe.
Initially, Liebermann’s work reflected the influence of the Realist tradition, with his early paintings depicting scenes of rural labour and everyday life, inspired by the likes of Jean-François Millet and the Barbizon School. Works such as “Women Plucking Geese” (1872) display his dedication to capturing the dignity and authenticity of working people. However, a transformative period spent in Paris and the Netherlands exposed Liebermann to the burgeoning Impressionist movement. This encounter had a profound impact on his style, leading him to adopt lighter palettes, looser brushwork, and a keen interest in the effects of natural light.
By the late nineteenth century, Liebermann had become a central figure in German Impressionism, producing vibrant depictions of gardens, parks, and leisure scenes, many set in his villa on the shores of Lake Wannsee in Berlin. His paintings from this era, such as “The Garden of the Wannsee Villa” and “The Parrot Walk,” are characterised by their luminous colours and atmospheric qualities, capturing fleeting moments with an acute sensitivity to light and atmosphere.
Liebermann was also a prominent figure in the German art world’s institutional life. He served as president of the Berlin Secession, advocating for greater artistic freedom and supporting the careers of younger, avant-garde artists. His leadership helped to modernise German art, paving the way for Expressionism and other twentieth-century movements.
Despite his success, Liebermann faced increasing adversity in his later years due to the rise of National Socialism and antisemitism in Germany. His Jewish heritage made him a target of Nazi persecution, and he was forced to resign from his positions in the art world. Nevertheless, Liebermann’s legacy endures, both through his art, now celebrated in major museums, and his steadfast commitment to artistic innovation and independence. His life and work remain a testament to the transformative power of creativity and the enduring importance of artistic freedom.
Images to download
See below to download artwork by Max Liebermann. Click on the item for more information.
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Liebermann, Max (1847-1935) - Bathing Boys 1900
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Liebermann, Max (1847-1935) - The Artist's Wife at the Beach 1895
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Liebermann, Max (1847-1935) - Stevenstift in Leiden 1889-90
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Liebermann, Max (1847-1935) - Portrait of Dr Wilhelm Bode 1904
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Liebermann, Max (1847-1935) - Orphan Girls in Amsterdam 1876
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Liebermann, Max (1847-1935) - Man with Parakeets c.1902
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Public Domain Copyright Rules
The pictures in our collections are out of copyright in the United States, the UK, Canada, most of Europe, Australia and all countries that follow the lifetime plus 70 years rule. Read our blog post about public domain copyright rules for more information.





