Elizabeth Forbes

Elizabeth Forbes (1859-1912) was a prominent British painter and a leading figure in the late nineteenth-century Newlyn School, a colony of artists based in Cornwall. Born in Kingston, Ontario, Canada, Forbes moved to London as a child, where she later trained at the South Kensington Art Schools. She furthered her artistic education in Munich and Paris, absorbing continental influences that would shape her distinctive style.

Forbes is celebrated for her evocative depictions of rural life, often focusing on women and children in everyday settings. Her work is characterised by sensitivity, careful observation, and a keen interest in narrative. One of her most notable paintings, "School is Out" (1889), captures children tumbling out of a Cornish schoolhouse, their joy and energy rendered with warmth and affection. This painting exemplifies Forbes’s ability to blend realism with a subtle poetic quality, a hallmark of the Newlyn School’s approach.

In 1889, Elizabeth Forbes married fellow artist Stanhope Forbes, who was a key founder of the Newlyn School. Together, they became central figures in the artistic community of Newlyn, attracting other artists and fostering a spirit of collaboration. The couple established the Forbes School of Painting in 1899, which provided instruction and inspiration to many aspiring artists, especially women, at a time when their opportunities were limited.

Forbes’s technique evolved throughout her career. While she initially worked mainly in watercolours, she increasingly turned to oils, mastering both mediums. Her palette was often bright and fresh, reflecting the natural light and vibrant colours of the Cornish landscape. Forbes had a particular talent for capturing the textures of fabric and the nuances of facial expression, lending her figures a sense of individuality and inner life.

In addition to genre scenes and portraits, Forbes illustrated books and contributed to periodicals, further broadening her artistic reach. Her illustrations for children’s books, such as "King Arthur’s Wood" (1904), display a whimsical touch and a strong sense of design.

Despite her relatively short life - she died at the age of fifty-three - Elizabeth Forbes left a significant legacy. Her work is held in major British collections, including Tate and Penlee House Gallery. Forbes played a crucial role in elevating the status of women artists in Britain and remains admired for her technical skill, empathetic vision, and contribution to the flourishing of the Newlyn School.