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Dimensions 4983 x 6149
Munch, Edvard (1863-1944) - The Scream 1893
Munch, Edvard (1863-1944) - The Scream 1893
Œuvre de Edvard Munch (1863-1944)
Digital Download - 1 image
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The Scream is an autobiographical, expressionistic construction based on Munch's actual experience of a scream piercing through nature while on a walk, after his two companions, seen in the background, had left him.
This download features 1 hi-res image, in jpeg format. It is 600dpi and 4983 pixels wide by 6149 pixels tall.
This image (same size) also features in the Munch 86-image collection.
The picture is out of copyright and in the public domain, so you are free to use it in whatever way you'd like, including commercial use.
Edvard Munch (1863-1944) was a Norwegian painter and printmaker, renowned for his evocative and emotionally charged works.
Born in 1863 in Loten, Norway, Munch's life was marked by tragedy from an early age, with the death of his mother and later his sister to tuberculosis. These personal losses deeply influenced his artistic vision, leading him to explore themes of anxiety, illness and death.
Munch's early education in Christiania (now Oslo) and later studies at the Royal School of Art and Design were pivotal in shaping his artistic career. He was heavily influenced by Symbolism and the works of Vincent van Gogh, Paul Gauguin, and Henri Toulouse-Lautrec. These influences are evident in the use of vivid colours, bold lines and expressive forms.
One of Munch's most iconic works is 'The Scream' (1893), which has become a universal symbol of existential angst. The painting's swirling, agonised landscape and the figure's haunting expression encapsulate the raw emotion and psychological depth that characterise much of Munch's work. This piece is part of a larger series called 'The Frieze of Life', which delves into themes of love, fear and death.
Munch's work often reflected his fascination with the darker aspects of human experience. His paintings and prints frequently depict intense emotions and psychological turmoil, earning him a reputation as a precursor to Expressionism. Works such as 'The Madonna' (1894-95) and 'The Dance of Life' (1899-1900) further illustrate his exploration of complex human emotions and relationships.
Despite facing criticism and controversy during his early career, Munch eventually gained recognition and acclaim. His innovative approach to colour, form, and subject matter left an indelible mark on modern art. Munch continued to create until his death in 1944.
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