Sir Joshua Reynolds

Sir Joshua Reynolds (1723-1792) was an English painter who specialised in portraits. He promoted the 'Grand Style' in painting, which depended on idealisation of the imperfect. He was a founder and first president of the Royal Academy of Arts and was knighted by George III in 1769.

Reynolds was born in Plympton, Devon as the third son of the Reverend Samuel Reynolds (1681-1745), master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. 

Having shown an early interest in art, Reynolds was apprenticed in 1740 to the fashionable London portrait painter Thomas Hudson, who like Reynolds had been born in Devon. One of his sisters contributed towards Joshua's pupillage and nine years later advanced money for his expenses for a trip to Italy and the Mediterranean. 

Having left Hudson in 1743, Reynolds worked for some time as a portrait-painter in Plymouth Dock (now Devonport). He returned to London before the end of 1744, but following his father's death in late 1745 he shared a house in Plymouth Dock with his sisters.

In 1749, while in Rome, he suffered a severe cold, which left him partially deaf, and, as a result, he began to carry the small ear trumpet with which he is often pictured.

Reynolds travelled homeward overland via Florence, Bologna, Venice, and Paris. He was accompanied by Giuseppe Marchi, then aged about 17. Apart from a brief interlude in 1770, Marchi remained in Reynolds' employment as a studio assistant for the rest of the artist's career. Following his arrival in England in October 1752, Reynolds spent three months in Devon before establishing himself in London the following year and remaining there for the rest of his life.

He achieved success rapidly and was extremely prolific. In 1760, Reynolds moved into a large house, with space to show his works and accommodate his assistants, on the west side of Leicester Fields (now Leicester Square).

The clothing of Reynolds' sitters was usually painted by either one of his pupils, his studio assistant Giuseppe Marchi, or the specialist drapery painter Peter Toms. 

Although not known principally for his landscapes, Reynolds did paint in this genre. He had an excellent vantage from his house, Wick House, on Richmond Hill, and painted the view in about 1780.

Reynolds also was recognised for his portraits of children. He emphasised the innocence and natural grace of children when depicting them. His 1788 portrait, 'Age of Innocence', is his best known character study of a child. 

Reynolds worked long hours in his studio, rarely taking a holiday. He was gregarious and keenly intellectual, with many friends from London's intelligentsia, numbered among whom were Dr Samuel Johnson, Oliver Goldsmith, Edmund Burke, Giuseppe Baretti, Henry Thrale, David Garrick, and artist Angelica Kauffman, exchanging his portrait of her for a portrait of him by Kauffman. 

In 1789, Reynolds lost the sight of his left eye, which forced him into retirement. He died on 23 February 1792 at his house at 47 Leicester Fields and was buried at St Paul's Cathedral.