Henry Seppings White (1849-1937), a prominent illustrator for Vanity Fair during the late 19th and early 20th centuries, and who worked under the pseudonym 'Stuff', carved a distinctive niche in the realm of satirical art.

Born in 1849 in Redruth, Cornwall, White's work is characterised by its sharp wit and keen observational skills, which brought to life the societal norms and eccentricities of his time. His illustrations often focused on the upper echelons of British society, using humour and caricature to comment on the foibles of the rich and famous.

White's style was notable for its graceful lines and an acute sense of proportion, which lent an air of sophistication to his subjects. He had an innate talent for capturing the essence of his characters, often imbuing them with exaggerated features that emphasised their personality traits. This approach not only highlighted the absurdity of certain behaviours but also resonated with the readers, making his illustrations instantly recognisable.

During his tenure at Vanity Fair, which spanned several decades, White produced a myriad of portraits that depicted influential figures from the worlds of politics, entertainment and the arts. His ability to encapsulate the spirit of an era, while simultaneously critiquing it, solidified his status as a significant figure in the world of illustration. Despite the passage of time, White’s work continues to be celebrated for its artistic merit and its insightful commentary on human behaviour.

His legacy endures, reminding us of the power of visual art in reflecting society and provoking thought through humour.